anthem 2012?

maybe this should serve as my anthem for the coming year...

the way it was, the way it is 

i don't think much about it 

i've tried too hard 

to redefine the things in life i want 

if you could live inside of me 

i don't think you would like it 

you're much to late to appreciate 

all the things i have lost 

i'm stuck in the heart of this 

i know in that in time 

i'm the one you'll miss 

and i don't give a damn what you think about me 

the things i've said and done 

i don't give a damn what you think about me 

the things i have become 

if i would bend i'd break in two 

i'd rather feel unwanted 

you're much too late to appreciate 

everything i have become 

i've found a better place 

you can't come in so get away 

i'm stuck in the heart of this 

i know in that in time i'm the one you'll miss 

and i don't give a damn what you think about me 

the things i've said and done 

i don't give a damn what you think about me 

the things i have become

the ex

Sometimes this song conveys exactly how I'm feeling, especially the chorus...

And while I know that I'm a fighter who's too busy to sit down and lament, I know it's okay to do so sometimes...

cki disconnect: pop culture style

If you read this blog, you know I'm no longer CKI Administrator. And I'm finally ok with that. Regardless of circumstance, I would not be serving in that capacity today.

But for fun, let's take a look at why I would not fit in as the current CKI Administrator, pop culture style:

Glee obsession.

I fail to see why people are obsessed with this show. The concept : geeks join together and forge a bond and thus create their own clique. Wow...this is a novel concept...let's run with it! Not. It can be found in any sitcom or drama about and/or relating to high school students. Plus, for me high school was not a fun and joyous time nor the best years of my life. Why the hell would I want to live them vicariously through a TV show? Add to it that I'm not a fan of musicals in general - sans Rocky Horror Picture Show and a couple others.

Which begs the questions:

why would anyone attempt to destroy a wonderful cult classic?

what high school would actually allow the theatre department to perform RHPS?

Harry Potter fanatics.

You can tell me the books are well written. You can also tell me green beans are good for me. But if I have no interest in it or don't like them, it's just not happening. Period. I enjoy some sci-fi...Star Wars anyone? I can even go for the Matrix. When it crosses the line into fantasy, you've lost me. I have no interest at all. And with a HP themed fall trainer, everyone's fantasy would have been my hell.

However, I will give Harry Potter props for one thing: getting kids & teens to read. Beyond that, Harry should just graduate or (gasp) die. I am sick of you.

Disney.

I went to Disney World twice - at age 7 and 17. In my second trip, I called Dale of Chip & Dale Rescue Rangers Chip. Dale then proceeded to whap me on the nose. I was assaulted by a giant chipmunk. I really wasn't a huge Disney fan growing up, but this event certainly didn't help.

But these CKIers love Disney - about as much as Glee and Harry Potter. And it's not just the movies; it's the music too.

Now, I will admit I like two recent Disney movies: The Lion King and The Three Musketeers. The only explanation I can give for the former is that I'm a Leo and Jeremy Irons is the voice of Scar. I love Jeremy Iron's voice. The latter is actually one of my favorite literary classics. Plus, it's not a musical. And Oliver Platt is freakin' hysterical as Porthos.

Music.

There's a lot of pop music to be listened to. While I know who Justin Beiber is, I have no idea what he actually sings. And as a whole, I think most of the American Idol finalists sucked, and most pop music as crap. There is also a lot of 80s music to be listened to. As a point of reference, the average college student is 18-22 years old, thus being born 1988-1992. These college kids weren't even around to remember the 80s, let alone the music. It's almost frightening that they know all the words to Rick Springfield's "Jessie's Girl" yet barely any words to Guns 'n Roses "Welcome to the Jungle".

While I do listen to the 80s on occasion (read: when my iPod plays it) and admittedly still know the words to far to many "one hit wonders" - my preferred decades are the 1990s through today, alternative genre. I've always been an alternative music girl, so I'll chalk up the difference in music tastes to that.

And in closing, I leave you with a telltale example of the CKI pop culture disconnect:

On one board CD, a number of folks chose a song from the 1980s or an American Idol contestant. I chose Rage Against the Machine's "Renegades of Funk".

Enough said.

the day the music died, "gen X" style

Sixteen years ago today...8 April 1994.

The day we learned that the life of one of the most influential and iconic rockers ever came to an end. Kurt Cobain, best known as the lead singer & songwriter of Nirvana, was found dead at his home in Seattle.

Officially, Cobain's death was ruled a suicide by a self-inflicted shotgun wound on 5 April 1994 per the coroner's report. However, the cause of death remains a topic of fascination and debate. Conspiracy theorists claim Cobain was murdered (presumably by Courtney Love) but results are inconclusive.

Cobain changed the face of rock forever by introducing the world to his now famous sound (labeled "grunge" by the populous) to the music scene, inspiring bands like Alice In Chains and Soundgarden in the 1990s and Puddle of Mudd in the 2000s, to name a few. As a result, alternative rock catapulted to the mainstream and became a dominant genre on radio and MTV in the early 1990s - and effectively ending the reign of the new wave/electronica sound of the 1980s. Rolling Stone ordained Nirvana the "flagship band of Generation X" and anointed Cobain "spokesman." As a private person - almost the stereotypical, misunderstood artist if you will - Cobain was uncomfortable with the anointment and the attention that followed. Focus turned to Nirvana's music and artistic message, resulting in In Utero (1993). This ended up being the band's last "new" work.

I remember first hearing about Cobain's death and sincerely thought it was a joke (a sick joke, but a joke nonetheless). Then I did what anyone would do to verify music news in the 1990s - I turned on MTV. Kurt Loder then confirmed the news of this tragedy. I'm convinced he was on 24/7 covering this story. Fans and admirers alike flocked to memorial services (especially in his hometown of Aberdeen, WA) - much the same as they did with John Lennon's death in 1980. While the similarities between the two aren't readily apparent, both were major rock artists with the balls to openly and freely speak their mind on a variety of topics. That's something that only comes along once a generation.

The untimely death of Cobain had lasting effect on the world of music. The grunge movement embraced acceptance and individuality - artists were encouraged speak their mind and put their own original spin on it - dare I say "come as you are"? The year 1994 not only marks the loss of an artist barely at the brink of his potential, but a regression in the music industry (read: grunge is dead). The door was opened for "pop sensations" such as N*Sync, Backstreet Boys and Britney Spears. It is debatable if there is indeed talent there, or if this "talent" was generated through the miracle of drum machines, etc. Think of it as the 1980s new wave, part two. The days of individuality - gone.

Thankfully, the 2000s have brought about artists with a "real band" sound such as Billy Talent and Rise Against; not to mention the reunion of Soundgarden at Lollapalooza 2010. However, one does have to wonder how the alternative music scene would have evolved had Cobain lived.

Oh...nevermind....

information taken from Rolling Stone, MTV and Greg Prato

We Are The World, take 2

Where were you on 5 April 1985 at 10:25 am EST? That's the date more than 8000 radio stations in the USA played "We Are The World" by USA for Africa simultaneously. Twenty-five years later, "We Are The World" has been re-recorded and released. But before I get to that, let's explore how the music forged to the forefront of social causes.

How did USA for Africa come about? Well, It was the USA's response to the UK's effort to fight hunger relief. This effort, led by Bob Geldoff of Boomtown Rats fame, is better known as Band Aid. The song, "Do They Know It's Christmas", recorded and released in 1984. Geldoff's song raised millions of dollars, and had already made a significant difference to those suffering from famine and disease in Africa, specifically to famine relief in Ethiopia.

(Note: if you are not familiar with "Do They Know It's Christmas", you can hear it every year, multiple times, on any radio station that decides to begin their Christmas programming on 1 November.)

Not to be excluded, Canadian artists released "Tears Are Not Enough" under the name Northern Lights to raise funds for famine relief in Ethiopia. Practically overshadowed by its USA and UK counterparts, this continues to be my favorite of the three.

While the individual artists in the music industry frequently have stood for social causes, this marks the first first time the music industry assembled on a grand scale with supergroup quality to tackle a worldwide cause. Farm Aid, Amnesty International (among other musical/social cause marriages) concerts/fundraisers likely would not have flourished had it not been for Bob Geldoff's vision.

It's hard to believe that "We Are The World" is now 25 years old. It is also hard to believe that 25 years later, there are places on our planet that are still suffering from hunger, sub-par living conditions; basically a natural disaster away from total devastation.

Enter the marriage of "We Are The World (2010)" and Haitian earthquake relief. In reality, a 25th anniversary re-recording was planned for 28 January 2010 - exactly 25 years from the date of the original. However, the earthquake on 12 January altered plans slightly, one of which was re-designating the proceeds of the re-recording to benefit Haitian earthquake relief.

I can't fault the proceeds going to Haitian earthquake relief. In fact, I think it's fabulous that those deemed celebrities by our standards are using this status for a greater good - even if only for eight minutes and 33 seconds.

However, I do have to ask: who the hell are these people in the video? I could name 12, and that includes the image/voice of Michael Jackson. I recognized four less people in the "Tears Are Not Enough" video. I realize the face of pop music has changed over the years (which is why I don't listen to it anymore), but a slightly more diverse sampling of American music (read: alternative) would have been appreciated.

But in all seriousness, it once again shows that we, as human beings, can unify in our humanitarian efforts to help those who have been affected by devastation. And if it encourages or influences at least one person to take action, then it was well worth it.

billy's got talent

Well, actually there's no one named Billy; rather Ben, Ian, John and Aaron. But don't let that fool you...

Billy Talent indeed has talent. They're one of the best bands of the millenium that you've likely never heard of (somehow this Toronto-based band can't break in stateside) and thus, one of the best bands you're not listening to.

I saw these guys at the Metro in Chicago in mid-September. It easily was the one of the most high-energy shows I've seen...and one of my top five concerts ever (and as a DJ in college, I've seen a lot of live shows).

So, check out their website and give a listen. You won't be disappointed...

And as an added bonus, check out the video for "Devil In A Midnight Mass" - it's probably my favorite BT song and the bass line is bad ass...

here comes the hammer...

By request, I was asked to write about how MC Hammer has had an impact on the present day cultural scene. And believe it or not, the Hammer did not disappoint....

Hammer pants are back.

That's right. In the late 80s/early 90s, these baggy, parachute-style pants were all the rage (thanks in part to MC Hammer himself). Twenty years later, they're haute courture once again but under the monkier "harem pants". Thankfully, when created out of material such as tweed they are slightly less obvious and obnoxious than say, gold or purple lamé. In some strange, twisted way maybe Hammer is "2 legit to quit"...

And did I mention he's signed for a 13-episode reality show on A&E?

stop, collaborate and listen...

Admit it...

You know the lyric. You wanted to be "rollin' in your 5.0 with the rag top down so your hair can blow..." You actually listened to the song when it came on the radio and watched the video on MTV (when they still played music).

I was with "Gabe" (for lack of a better name) at a watering hole watching sports highlights and we heard the beginnning notes to this infamous song. Something came over me. I proceeded to recite all - and I mean ALL - the lyrics, complete with some dance moves. I think Gabe was, well, impressed wouldn't be the word I'd use. Frightened would be more like it.

Perhaps I should have been embarassed that I knew all the lyrics. Strangely, I wasn't.

Circa 1990, Vanilla Ice was somewhat a breath of fresh air. Prior to the "Ice Ice Baby" phenomenon, the only white rapper-esque artist was the Beastie Boys. Don't get me wrong, I'm a fan of the Beasties to this day and they introduced us to the "rock-rap" angle. But Vanilla - at this point in musical history anyway - showed us that a white guy could perform rap AND hip-hop, or at least hip-hop as white folks knew it. Love it or leave it, Vanilla Ice did impact the scope of music in the early 1990s and dare I say, helped bring hip-hop into mainstream culture.

I almost wanted play my "To The Extreme" CD when I got home. Emphasis on the word almost. Yes, I still own the CD. For some unexplainable reason, I can't part with it.

The only thing that frightened me in this event was the following: I can't remember what I ate for dinner last Thursday, yet apparently I have ample brain storage for song lyrics of the early 90s.

Word to your mother...